12in12 Montage!

June 23, 2010 at 12:12 pm | Posted in Mike Lavoie | Leave a Comment
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A little taste of what’s going to hit your lips when we serve up the Four Week Feature. Piping hot from the griddle of our minds into the, the um, the mouths of your eyes. And into the digestive tract of your souls. And then into the sewage system of cinematic history!!

Oh yeah. I just wrote that.

Help make it happen!

Posted by Mike, Poet, knows it.

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“Thirsty Work” Film Race Awards!

June 13, 2010 at 12:17 am | Posted in Mike Lavoie | 1 Comment

Thirsty Work was handed several awards this week by the judges of the 2010 NYC Film Race! So we very proudly congratulate:

Still the greatest.

  • James Bruffee & Christopher Varley for Best Original Music Score.

James and Christopher perform with their latest band, Goose.

The things we do for third place!

We also congratulate The Ghosts of Steely Dan, who swept up with their film As Soon as You Think Her Up, and who did not win Best Use of a Wolf Head Hat Ever, but should have.

See you in September!

That is, if we survive AUGUST!

Posted by Mike

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Inside the 12in12 Confessional

September 8, 2009 at 10:34 pm | Posted in Mike Lavoie | Leave a Comment
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It’s not easy to say “I’m sorry,” especially to someone you love. 12in12 blog followers, you know that I love you and would never do anything to hurt you, but my Catholic guilt is forcing me to confess: I have lied to you. As has someone else, who was raised with no discernible Christian guilt and will remain nameless – other than giving you this ancient Grecian riddle:

Who is it whose name starts with the “K” and ends with the “eith Boynton.” Therein lies your liar.

We said we’d make 12 films in 12 weeks, but we lied to you from the VERY FIRST FRAME. Yes, during the editing of “Old Love,” we realized we hadn’t gotten an establishing shot of the neighborhood. After keeping DP Robb Stey to film way overtime on the shoot day, we did not feel like asking him to come back to Brooklyn to shoot just three seconds worth of footage.

And then I remembered: I DID have three seconds of footage of the neighborhood. Matt Suter, the director of Carroll Gardens, in his infinite wisdom shot a bunch of B-Roll footage with our DP, Matt Ramirez. So I plugged in my ancient 320GB Lacie hard drive and listened to its tiny fan cough up two years of built up dust. Sure enough, once I opened up the Final Cut Pro file, there was a beautiful intersection of Carroll Gardens, Brooklyn – circa Sept 2007. After that it was just a quick export to my desktop – the perfect crime!

One of these frames...

One of these frames...

One of these things...

Is just like the other

So to the Matts – the uncredited cameo director and cinematographer of “Old Love” – 12in12 thanks you!

And to all of those we betrayed, this one’s for you:

Peter Cetera likes Peter Cetera even more than Mike Lavoie likes Mike Lavoie!

Posted with enduring and bottomless remorse by Mike Lavoie

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Inside 12in12: The Numbers

September 6, 2009 at 10:00 am | Posted in Mike Lavoie | 4 Comments
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When Keith and I set out to make 12 films in 12 weeks, we decided each film would be between three and five minutes long. By that standard, only one film succeeded – “A Summer’s Day.” Which I directed. And since the point of the whole project was to keep the films short – I win.

Sorry Keith. Better luck next summer.

Here are some numbers that sort of put the project in perspective. Played end to end, the films would take almost and hour and forty-five minutes. Not too bad for a summer.

Inside 12in12: The Numbers

Running Times Pie Chart

Films and their percentage of the total running time

Posted by Mike, The Champion

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Vote for your favorite film!

August 30, 2009 at 11:47 pm | Posted in Mike Lavoie | 2 Comments
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Now is your chance to vote for your favorite film of the 12in12 Adventure!

As you may have noticed, although the project is “officially over,” Keith and I have persisted in blogging away. Are we addicted? Perhaps, but we also have a few more surprises in store for you (besides Film #13) and we’ll also use this space to provide updates on 12in12 screenings, future projects and any other tidbits of some interest.

I.E., if Keith and I happened to be acting in the same night of one-act plays in NYC on September 9th, 11th, and 12th at 8PM and September 13th at 3PM, we  might use this forum to say something along the lines of, GET TICKETS NOW!

Just a hypothetical…

Photobucket

Posted by Mike

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Our Final Film Is Up — and it’s NOT our final film!

August 28, 2009 at 5:43 am | Posted in Keith Boynton, Mike Lavoie | 8 Comments
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This is a tricky post to write.  On the one hand, I need to present our twelfth and final film, and to thank all of you for tuning in so faithfully over the past twelve weeks.  On the other hand, I’m acutely aware that this is actually not our final film, and that tomorrow (Saturday, August 29th), we will be announcing our EXTRA-SPECIAL SURPRISE BONUS FILM, to be posted on Monday, September 7th.  The details of Film 13 are top-secret until tomorrow, but suffice it to say that it will be completely different from anything else we’ve done — in a totally wonderful way.

For now, I thank you all for your time, attention, and thoughtful comments, and I hope you enjoy our valedictory film, “The Jogger”!

–Posted by Keith


Also available on YouTube.

The post was tricky? How about the movie? Sure, we had tons of mouth-watering Sonu to fuel us, but until 11:45PM the night before the shoot, we didn’t even know where we were filming. As always, the cast and crew was game and showed up on time at the new location with a smile.

Working with Dylan Bandy on this final film was eerily wonderful – I met her for the first time on the set of “Sublet” and then again when she helped out on “Captivated” and acted again in “Moving Pictures,” but we never acted together. And now that I think of it, we’d never even had a real conversation outside of pleasantries. Sure, I’d seen some interesting pictures on her website, but how much can you really learn from a picture…

Sweet Like Bandy

Sweet Like Bandy

So there we were, Saturday morning, thrown in bed with each other — and it was great. We hit it off like old flames and the shoot flew by. It’s always a strange experience to act like you’re in love with someone on set; strange because sometimes it’s so EASY. It’s remarkable the things you can feel for a near stranger if you only have permission to feel them. We were allowed to be lovers — at least for a few hours — and it was sweet and fun and we had some great laughs over many absurd improvisations (yes, deleted scenes and outtakes coming soon). And as abruptly as it began, our time was up, we hugged goodbye and I haven’t seen or spoken to Dylan since.

Show up. Do your job. Have fun. Go home. That’s 12in12 in a nutshell.

It’s been a ton of fun, everyone. And we’re not *quite* home yet. But I’m glad I got to be your lover or whatever, if only for a few takes.

So thank you.

–Posted by Mike

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Inside 12in12: Thomas Sullivan

August 26, 2009 at 9:59 pm | Posted in Mike Lavoie | 1 Comment
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I met Thomas Sullivan at the Esper Studio on Tuesday, January 6th 2004. A lanky 6’2” with a mop of brown hair, he was an inexperienced actor at the time, but already an exceptional musician. He was forever jetsetting to some exotic paradise to perform and he displayed the skills with which he paid the bills during many of his Meisner activities. He could sing, he could play the guitar, the trombone; he was a triple threat! At the time, I didn’t have any threats at all. I was quite non-threatening, completely harmless really.

Thomas and I hit on some crazy actress girl

Thomas and I hit on some crazy actress girl. The lesson? NEVER HIT ON CRAZY ACTRESS GIRLS

Seeking to make myself a danger to humanity, in the summer of 2004, I wrote and directed and starred in a film for the Amazon.com shorts competition with my friends and fellow classmates Byron Beane and Kenneth Lee. Thomas saw it and mentioned he’d made some films as well. “I’d like to work with you” he said. “And when you see what I’ve done, I think you’ll want to work with me too.” He said this plainly, without a hint of pomposity and I was struck by his sincerity. He suggested I watch his animated short, Spotlight.

So I did. It’s a simple film; with a drab color palate, 2-D animation and distinctly unflattering protagonist, there is nothing flashy about it. But there is something special in it, a real sweetness that is very rare.

Over five years later, when I dared to make another short, I called Tom’s number for A Summer’s Day and again for the credits music on Script 2. Keith was so impressed with Tom’s work that he offered him The Proposal, to which the score was absolutely crucial. Not only did Tom knock that out of the park, he also wrote and performed, on his own initiative, the tone-perfect credits song, “Wish I Was Fish,” which summed up the entire film so simply and beautifully that it brought tears to my eyes when I listened to it for the first time. It’s the only piece of music we’ve received from a composer that we did not change at all.

When I finally directed again, Thomas was the first man I called to score the film. Sadly, he was in Oregon for a wedding and even sadly-er, everyone else I called after Tom was unavailable too. Old Love’s Graham Stone, Queen Bee’s James Bruffee, Captivated’s Michael Redfield – all busy or on vacation. Fortunately for me and unfortunately for Tom (and his mostly understanding girlfriend), he said one little thing that you never want to say to an opportunistic bastard like myself.

If you’re really really in a pinch, let me know and I can probably whip something together.

Whoops.

So, in my pinch, I called him. He proceeded to spend the few free moments of downtime he had in his hotel room audio chatting on iChat with me. It was extremely fortuitous that he had with him the KORG NANOPAD. which is in fact not a model of Cylon, but a crazy musical instrument digital interface thing. Apparently, there was no way for him to alter on the computer what he played, so he had to time every layer of each instrument out perfectly; he sat there doing this magical dance of math and music for me and I would shout notes at him through the Internet. In his tux, time ticking away, he labored with me, good-naturedly (or so I think) muttering things under his breath, like:

  • I’m sorta doing it blind over here – just need to do the math…
  • Twenty-three minus six is what? Seventeen?
  • We’re going old school here.
  • I’m in fucking Oregon for Christ sakes…

In the end, he pulled through for us, yet again.

Thomas Sullivan, 12in12 salutes you!

Korg Nanopad, 12in12 cowers in fear before you!

Posted by Mike

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Winging It

August 22, 2009 at 1:43 am | Posted in Mike Lavoie | 1 Comment
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    Trying desperately to preserve our sense of humor. Also, senses of self worth, dignity, sight.

Four months ago today, Keith and I shook hands at the Root Hill Cafe.

Six hours ago, we were en route to 378 after scouting Coney Island for Saturday’s film and at that point, we basically had no idea what we were doing. Here is a video status report from that magical point in time:

Since then, we have locked down:

  • A new location: back to the Upper East Side, where we will not need a tent
  • A script: now on our second draft
  • Crew. You need crew to make a movie work. This much I know is true.

One last time, people. We’re going to have fun. And it’s going to be pretty good, I think. And if I spend my life making movies that are pretty good, that’s fine by me.

Posted by Mike

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Our Blog is Rated “R”?

August 19, 2009 at 3:16 am | Posted in Mike Lavoie | 1 Comment
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OnePlusYou Quizzes and Widgets

According to a free dating website our blog is rated “R.” The reason?

This rating was determined based on the presence of the following words:

  • shoot (10x)
  • steal (1x)

Clearly, it is our goal to corrupt the youth of America (and beyond), but I find the parameters of this rating system a little insane. I mean, this is like arresting Jeffrey Dahmer for jaywalking. If I were to give us an R rating, it would probably be for these words:

  • damn (10x)
  • hell (3x)
  • ass (1x)
  • sex (2x)
  • fuck (4x)

That’s not even counting the content of the films, which includes a few F-bombs, making out, and lest we not forget, talk of sex with a pregnant lady. Now that is the kind of stuff that won’t play well in the Bible Belt. See also: this Friday’s Hero By Proxy. Oh baby.

I suppose it’s crazy of me to get upset at an internet rating meter. For a couple of reasons:

  1. It is an inanimate object (Well, worse: it’s not even an object – it’s just code. It’s like getting mad at the Matrix.)
  2. This point probably can’t be reiterated enough: it was created by a free dating website.

So this foolish game is all simply a means of redirecting people to a free dating website, and in that regard, we are playing right into their hands. I don’t see why “mingle squared” even needs a gimmick. I mean, flesh sells itself, “mingle squared.” Get with the program!

Looking for some strange? OnePlusYou.com baby

Looking for some strange?

Posted by Mike

P.S.: Keith just raised a good point: How exactly did I stumble across a free dating website with a blog rater? I am searching through my history and though there are items in there that I would not show to my mother or lawyers, I can’t seem to find Ground Zero. I guess we’ll have to chalk this one up to the magic of Google…guess I was feeling lucky.

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“Hero By Proxy” – Post Mortem & Pictures

August 17, 2009 at 10:11 pm | Posted in Mike Lavoie | Leave a Comment
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Almost exactly four days ago, I was in the sleep-deprived, Red Bull-fueled throes of laying in Thomas Sullivan’s score for Magic Marker.  Michael Redfield was  hours away from walking through my front door and into my life. I had spoken to him for the first time five weeks ago around 6AM EST (3AM his time) as I was laying in his score of Captivated (why I am always laying in scores??)

Almost exactly two days after he walked through my door, I was hugging him fiercely as we wrapped up just FOURTEEN MINUTES behind schedule. And it’s a good thing too — a few minutes more and we would have lost our cinematographer.

Almost exactly one day ago I was watching the Yankees game.

Come on, I needed a break.

As you know, rejoining us for the first time in 10 weeks was Robb Stey, who agreed to film as long as we set a hard and fast deadline of 3 AM. Due to his covert activities which we are not allowed to talk about in a public forum, he was unable to pull Queen Bee-esque all-nighter, so Keith offered to drive him back home to the UES at three sharp. This worried me, since the only film to wrap on time was James Creque’s After Perfect (which wrapped two hours early!!)

Keith and I had two brief discussions about the wisdom of promising to wrap Robb at 3. The first was while Keith was on the phone with Robb.

KEITH

Can we promise to wrap Robb by three?

MIKE

(smirking, lying)

Yeah, sure.

KEITH

Seriously, Mike. Do you think we can wrap Robb by three???

MIKE

(still smirking, still lying)

Yeah, of course.

Later, after the call ends:

MIKE

We don’t really have to wrap Stey at three, do we?

KEITH

He said he’d stay until ten after three.

Long pause.

MIKE

So we’re fucked.

****

On Saturday, we called the cast and crew at 3 PM. Keith, myself and Redfield went to rehearse the opening and closing scenes of the film on Carroll Street bridge.

Keith rehearses, Redfield smells Lavoie's armpit

Keith rehearses, Redfield loves the smell of Old Spice

Keith Chills, Mike Hangs

Keith Chills, Mike Hangs

We returned at 5. Despite the fact we put on sunscreen, when I got back to the house and sat down, I felt wiped. Brigitte arrived shortly thereafter, straight from Newark Airport, and showered. I felt revived after some Red Bull and pizza and at 7:30 we had a table rehearsal. This was Michael’s directorial debut, but I was floored with how fluidly, instinctively, and diplomatically he directed the actors at the table.

'Za

'Za

The HBP Team Rehearses

The Actors Prepare

Mike is naked, packing again

Mike is packing and naked. Sumi cannot watch

Clint will crush you

Clint Byrne: He will pwn you.

We started shooting at 9:15 and the race was on. I served as our official time keeper, shouting out how much time we had before 3AM.

SIX HOURS!!

SIX HOURS!!

Mid-street filming. Safety last!

Mid-street filming. Safety last!

Moving on, Keith and Brigitte got their close-ups. Union Street Bridge: 10:15PM.

Keith can do his own damn hair

Keith can do his own damn hair

Chad is an Inkhero, whatever that means

Inkhero by Proxy!

11:35 PM: We wrap up their scene with a wide shot. “Three and half hours!”

Redfield, Stey, Lavoie, Brooklyn

Redfield, Lavoie, Stey, Brooklyn

12AM: Carroll Street Bridge. Mike and Keith go at it — for the first time ever! (We swear!)

Redfield teaches Lavoie how a Zippo works. Keith does not break character (he's so method!)

Redfield teaches Lavoie how a Zippo works. Keith does not break character (he's so method!) Stey and Chad chill

If there is ever a poster for "HBP" -- this is it

The future DVD cover of HERO BY PROXY.

Do not believe his lies.

Do not believe his lies.

NOT a sound stage - this is Brooklyn at 1AM Brooklyn at 1AM looks like a sound stage

We wrap Keith at 1:30AM. “NINETY MINUTES TO GO!” Finally time for Angela and Clint to shine — the poor souls have been hanging around since 3PM. I sure am glad they were familiar with the old filmmaking maxim, “Hurry up and wait

Ninety minutes to go. Redfield is looking a little nervous. He has three scenes left — and ninety minute to get them and that ain’t easy. Keith pulls me off to the side. “It’s looking tight.” I’m feeling queasy myself but I have smoked half a pack of cigarettes for my character (it was for the role, mom) so it’s hard to tell what’s going on.

1:50AM: Angela and Clint get into their places. Camera. Speed. Action.

Someday this tableau will make sense (Friday, actually)

Someday this tableau will make sense (Friday, actually)

Stey gets down and dirty

Stey gets down and dirty

An unexpected onlooker take the spotlight

Meow! A unexpected onlooker takes the spotlight

It's getting late -- er, early

It's getting late -- er, early

THIRTY MINUTES! 2:30AM: We wrap the bridges. Two scenes left. Gulp.

Free lighting! Thanks wasteful cement factory!!

Free lighting! Thanks wasteful cement factory!!

Angela Perri. You can't stop what's coming

Angela Perri. She has no idea what's coming.

At 3:14AM Robb Stey takes two final wide shots of the wasteful cement factory and its surroundings. Michael calls cut and moments later: “And that’s a wrap!” Everyone cheers. Only fourteen minutes late. Michael turns to me, a look of exhausted exhilaration on his face. “I didn’t think we’d make it! I really didn’t think we’d make it!”

Before Robb Stey leaves, we get a few final shots.

It's Clint and Keith. But is it art?

It's Clint and Keith. But is it art?

Clint presents the Caffeinating Ashley Stubblefield

Clint presents the Caffeinating Ashley Stubblefield

Now that's friendship

Now that's friendship

Victory

Victory

Thanks to all. That was awesome.

Posted by Mike

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